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    <skos:prefLabel xml:lang="en">Embroidering (process)</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Stickerei (Prozess)</skos:prefLabel>
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  <rdf:Description rdf:about="https://iqvoc.swissartresearch.net/_f8384282">
    <skos:prefLabel xml:lang="en">Cross stitch (process)</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Kreuzstich (Prozess)</skos:prefLabel>
  </rdf:Description>
  <rdf:Description rdf:about="https://iqvoc.swissartresearch.net/_87ee7a37">
    <skos:prefLabel xml:lang="en">Opus plumarium (technique)</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Plattstickerei</skos:prefLabel>
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  <rdf:Description rdf:about="https://iqvoc.swissartresearch.net/_24bc0407">
    <skos:prefLabel xml:lang="en">Technical arts</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Technische Künste</skos:prefLabel>
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  <rdf:Description rdf:about="https://iqvoc.swissartresearch.net/_df90f183">
    <skos:prefLabel xml:lang="en">Textile arts</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Textile Künste</skos:prefLabel>
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  <rdf:Description rdf:about="https://iqvoc.swissartresearch.net/_fd250235">
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    <skos:prefLabel xml:lang="en">Opus Phrygium</skos:prefLabel>
    <skos:prefLabel xml:lang="de">Mosaikstich</skos:prefLabel>
    <skos:altLabel xml:lang="la">Opus phrygionium</skos:altLabel>
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      <rdf:Description>
        <dct:creator>Elena Chestnova</dct:creator>
        <dct:modified>2022-05-18T06:20:10+00:00</dct:modified>
      </rdf:Description>
    </skos:changeNote>
    <skos:changeNote>
      <rdf:Description>
        <rdfs:comment xml:lang="en">initial version</rdfs:comment>
        <dct:created>2021-05-26T16:56:01+00:00</dct:created>
        <dct:creator>Elena Chestnova</dct:creator>
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    <skos:changeNote>
      <rdf:Description>
        <dct:creator>Elena Chestnova</dct:creator>
        <dct:modified>2021-05-27T13:50:44+00:00</dct:modified>
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    <skos:definition xml:lang="en">Opus phrygium occurs in Pliny's Naturalis Historia ("pictae vestes iam apud Homerum sunt iis, et inde triumphales natae acu facere id Phryges invenerunt, ideoque Phrygioniae appellatae sunt.") where he claims Phrygians invented the art of emroidery. Although this claim gets treated as factual there is to this day no proof of its veracity. It has been observed however that late Latin term auriphrygium refered to gold embroidery so it is possible that Opus Phrygium in Pliny's time refered to gold work or some type of embroidery including gold.  
Sources: Textile Research Centre Leiden; ditto citing VOGELSANG-EASTWOOD, Gillian (2016), 'Embroideries from archaeological and historical sources from the Eastern Mediterranean and Iraq,' in: Gillian Vogelsang-Eastwood (ed.), Encyclopedia of Embroidery from the Arab World, London: Bloomsbury Academic, pp. 71-77; Morna O'Neil, Crafting Communities Roundtable on Victorian Material Culture, 4 May 2021.</skos:definition>
    <skos:changeNote>
      <rdf:Description>
        <dct:creator>Elena Chestnova</dct:creator>
        <dct:modified>2022-06-12T13:21:30+00:00</dct:modified>
      </rdf:Description>
    </skos:changeNote>
    <skos:editorialNote xml:lang="en">This term requires further research. We know that Semper read Pliny, but this reference alone does not explain his translation of opus phrygium as "Mosaikwerk". From the text of Style (vol. 1, ed. 1, p. 196) it becomes clear that by this Semper means cross stitch, making references to "Noten des Salmasius zum Flavius Vopiscus" and the tombs of Saqqara in Egypt. Further research is needed to establish why specifically these referenes made Semper interpret opus phrygium as cross stitch.</skos:editorialNote>
    <skos:example xml:lang="en">Ms 216 vol. 206 r. "Ueber Unterschied zwischen op. Phryg. und op. Plumarium siehe in den Paragraphen über Stickerei."</skos:example>
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